Today, we celebrate Shawn Corey Carter’s 44th Birthday. Jay-Z has seen his reign in hip-hop go mostly unchallenged despite it being a young man’s sport. So in celebration, I decided to rank Jay-Z‘s 13 solo studio albums from worst to best. This won’t include any collaborative efforts (re: Best of Both Worlds 1 & 2, Watch The Throne). Check it out below and let me know what you think.
12. Kingdom Come
Oh, Shawn. You retired on the high note that was The Black Album and then you returned with… this. Is is that bad? Probably not. Is it a good Jay-Z album, definitely not. It doesn’t help that the singles he chose were some of the worst to play on the radio in 2006. “Show Me What You Got?” Really? I get that you’re a 30-something rapper, but I didn’t want to hear this. At all. Maybe I’ll love you if you stayed faded to black.
10. The Dynasty: Roc La Familia
Not quite a solo album, Jay-Z allowed his whole team some shine on his 5th solo album. Beanie Sigel shined more than anyone (read: Memphis Bleek is still one hit away) with standout contributions in “This Can’t Be Life,” “Streets Is Talking,” and “Dynasty.” R. Kelly made an appearance on the radio friendly “Guilty Until Proven Innocent.” The fate of this album was sealed once we all realized Dynasty would never be a real group. I mean, where is Amil? I dare you to listen to this album front to back and enjoy it, forreal.
9. Vol. 3… Life and Time of S. Carter
Outside of providing us the name of Jay’s brilliantly curated website Life+Times, this album really gave us nothing. I mean, yes there’s “Big Pimpin‘” and “Do It Again” but I challenge you to name another song. Even deep cut Jay-Z fans would rank this as one of his worst, track for track. Jay was still stepping into his lyrical dexterity with this album, but I found Vol. 2 much more interesting.
8. Blueprint 2: The Gift & The Curse
Who asked for this album, exactly? After dropping a certified classic, Jay-Z followed up with this hodgepodge of cutting room floor cuts. As with most albums, there were some standout tracks, but as a 25 track double disc, Jay could’ve purged about 2/3 of the tracks, named it “Diamonds is Forever” and kept it moving. Instead, we get odd tracks like “Nigga Please” & “Fuck All Nite” that were far from the proper follow up for The Blueprint.
7. In My Lifetime Vol 1.
Why is this album better than Vol. 3? Let’s think about where Jay was. This is post Reasonable Doubt – essentially battling the sophomore slump. More people pay attention to his first album now than they did when it dropped, Jay has said that before. In My Lifetime Vol. 1 found an introspective, yet motivated Jay-Z. And he was having fun. And no one can deny “Streets Is Watching” which led to a hood film of the same name.
7. Magna Carta, Holy Grail
When a rapper is well-traveled and influenced by a variety of sounds and experiences, you get an album like this one. Does it suck? Nah, not at all. Was it phoned in? Definitely. This album didn’t crack my top 5 for a lot of reasons. One of them being the hype surrounding the release and the subsequent disappointment. The real star of this album is easily the production. Kudos to all involved. But Jay’s lyrics have been far more interesting and complex. Extremely timely – not timeless, this album will sit comfortably in a conversation revolving around the year of twerking and North West. Beyond that, not quite. There is “Beach is Better” though…
6. American Gangster
This album stopped me in my tracks. When I first heard, it was I was confused. Is this a soundtrack to the movie of the same name or nah? Was this Jay going back to his dope boy roots or was he playing a character? With samples from the actual movie, I think a lot of people dismissed this album as a soundtrack. It’s so much more than that. And so underrated to me. The simplicity and crispness of “No Hook” can’t be lost. Treat this entire album like a nouveau version of “The 10 Crack Commandments.” From the hustling to the success to the end, the story of most American Gangsters.
5. Blueprint 3
I feel like an anomaly because of my love for this project. It felt worldly (like MCHG) yet fun (like Vol. 1). Jay was really flexing his wealth besides the usual Rolls Royce, Bentley, Gucci mentions. It’s a feel-good album you can play from beginning to end without skipping a track. I could definitely live happily never hearing “Empire State of Mind” again, but in the grand scheme of the album, it completely flows. This album caused you to react. How often does music do that? There was “D.O.A.” then “Run This Town” then “Empire State of Mind” and the infectious “On to the Next One.” It’s just a good fucking album.
4. Vol. 2… Hard Knock Life
Top 4 status? Yup! This album is so underrated. I can listen to this album top to bottom and enjoy the whole ride. With tracks like “Hard Knock Life” and “Nigga What, Nigga Who” and “Money, Cash, Hoes,” and “Can I Get A…” and “Paper Chase,” how can you not agree. It’s so late 90’s but still stands up against Jay’s entire catalogue. Listen to it today. Just choose the tracks I picked and play your best 5 tracks from any of his other albums and tell me I’m wrong. It’s not his most street-sounding album, but this is the beginning of radio-friendly Jay, but that street appeal was still there. Still hard for your favorite rapper to do.
3. Reasonable Doubt
Jay’s first album doesn’t deserve top 3 status just because it’s his first album. It deserves top 3 status because it was a good rap album. Think about what other artists released albums in 1996. 2Pac, Busta Rhymes, Outkast, The Fugees, and Redman to name a few. And this album was able to cut through the clutter and produce one of the greatest rap debut albums of all time… OF ALL TIME! Even still, it didn’t go platinum until 2002, after the release of The Blueprint. Late listeners were exposed to a younger and more street savvy Jay-Z, pre “I’m a business, man!” I always feel a little more hood when listening to this album – can I live?
2. Black Album
Shawn you tricky mu’fucka you! You had us all believing that after 7 solo rap albums, it was all over. My mother copped me the limited edition blacked out joint because I was legitimately sad that it was all over. My favorite rapper was fading to black and presented us with his magnum opus featuring the best producers of the early 20o0s. If you’ve ever seen Jay in concert, you know these tracks go harder (in a stadium full of people) than the rest of his discography. Go just to hear to “Interlude/PSA” and “What More Can I Say” and your life will be changed. This man makes interludes an entire moment in your life!
1. The Blueprint
Undisputed. Or at least I’d like to think so. Where were you when you first pressed play on The Blueprint? I was sitting on my twin-sized bed, legs crossed, leaning in to my Aiwa stereo trying to catch every lyrical dip and flip and smiling at the diss to Nas. I was never a Nas fan and to hear that my favorite rapper wasn’t a fan of his either? Pure bliss. This album went on to catapult Jay (and Kanye’s production) into the spotlight more than any other album his previously released. It’s probably one of the most quoted albums from Jay including the now infamous “We don’t believe you, you need more people!” Tell me you can’t listen to “Takeover” and smile a bit at the cleverness of his poetic disses to Prodigy and Nas, even now. The Blueprint is a certified classic and comfortably sits atop the lists of many a critic’s top rap albums of all time. It deserves the top ranking. This album finds Jay at his peak, perfectly marrying his streeet savvy and his pop chart dominance.
Whew! That was hard. I moved albums around as I was listening and writing and thinking. Do you agree? Do you disagree? Let me know!
*UPDATED* Jay-Z released his own ranking of his albums on his website. Check it below.
1. Reasonable Doubt (Classic)
2. The Blueprint (Classic)
3. The Black Album (Classic)
4. Vol. 2 (Classic)
5. American Gangster (4 1/2, cohesive)
6. Magna Carta (Fuckwit, Tom Ford, Oceans, Beach, On the Run, Grail)
7. Vol. 1 (Sunshine kills this album…fuck… Streets, Where I’m from, You Must Love Me…)
8. BP3 (Sorry critics, it’s good. Empire (Gave Frank a run for his money))
9. Dynasty (Intro alone…)
10. Vol. 3 (Pimp C verse alone… oh, So Ghetto)
11. BP2 (Too many songs. Fucking Guru and Hip Hop, ha)
12. Kingdom Come (First game back, don’t shoot me)
I’m still working on my review of Em‘s latest album. So to distract you from my tardiness, I’m giving you a treat. Everyone likes treats. Sampha (singer featured on Drake’s song “Too Much,” among others) has released an acoustic and Drake-less video of “Too Much.” Enjoy it below.
The earthiness of his vocals makes me feel like I’m drinking hot cocoa cuddled up with one of my boos waxing poetic about the affordable care act and pondering a gluten-free diet.
Another Music Monday playlist for your headphones. This week, I’ve decided to share my TDE playlist. TDE is =/= to Black Hippy. Black Hippy consists of Kendrick Lamar, ScHoolboy Q, Ab-Soul, and Jay Rock. But TDE has recently expanded it’s roster signing rapper Isaiah Rashad and singer SZA – neither of which have a profile on Spotify. So this playlist will unfortunately include none of their music. But enjoy nonetheless. 9 hours of TDE, features and solo tracks, still sounds like a good Monday to me.
Also, as ScHoolboy Q preps for his third album Oxymoron, he’s released a visual to “Banger (MOSHPIT).” Still don’t know when the album is dropping, but he’s turned it in to the label. Check the video below.
Something strange happened this week. I became a subtle fan of Childish Gambino. But I reaallllllyyy wanted to hate him. Why? I’m not sure. Is it because his name is courtesy of Wu-Tang’s name generator? Is it because he’s was a writer for 30 Rock before he was a rapper? I’m not sure my apprehension. Maybe I question his authenticity. But with rappers proving you don’t have to be directly of the streets to represent hip-hop (Chance the Rapper, Macklemore, J. Cole), it’s time to broaden my horizons. So I present to you, my love story.
Childish Gambino (real name Donald Glover, no relationship to Danny Glover) has been on a mini promo tour stopping at The Breakfast Club & Sway in the Morning in addition to dropping two new songs this week. He has a strong indie fan base that ensure he sells out shows in NYC every time he graces a stage. He’s released a number of mixtapes and albums himself then he signed a label deal. But I still wanted to hate him. Childish Gambino is as much a comic as he is a rapper. Dave Chappelle once proclaimed that all rappers want to be comedians and all comedians want to be a rapper. And Danny Glover is both. So I still wanted to hate him. Chance the Rapper included him on one of my favorite tracks from Acid Rap, “Favorite Song.” Then Childish Gambino appeared on Jhene Aiko‘s single “Bed Peace.” I still wanted to hate him.
Outside of my slight obsession with Jhene, I wasn’t the biggest fan of his inclusion on this song. So I still wasn’t feeling him. Then this week happened. Childish Gambino dropped “3005” and I was intrigued. He stopped by The Breakfast Club and provided a view into his personality. I developed a slight cyber crush. Then he dropped another track, “Worldstar” and performed a REAL freestyle to “Pound Cake” on Sway in the Morning. Listen to each of these below and decide if you still hate him.
He’s introspective and clever. Funny, yet not a joke. He knows how to capture your interest, but it’s not a gimmick. And it helps his “Pound Cake” freestyle was one of the best ones I’ve heard. There’s something about this guy that makes me want to hear more. I’m definitely going back to listen to his previous work. And his second studio album, Because the Internet, drops December 10, 2013. Kudos to you Childish Gambino, I don’t hate you anymore.
MUSIC WORLD: *UPDATED* One Year Later… My Extended Review of Kendrick Lamar’s “good kid, m.A.A.d. city”
*One Year Later*
What a difference a year makes? With popular culture’s attention span being shorter than Kevin Hart, it’s amazing that this album still has legs. People are still listening, still talking about it, and still fawning over Kendrick – really now more than ever. Since this release, Kendrick Lamar has provided amazing guest verses (Fucking Problems, How Many Drinks Remix, 1 Train, etc.) and crowned himself the King of New York. A young nigga from the west coast decided he was King! How audacious of him. In a year that saw albums from heavyweights like Nicki Minaj, Nas, Rick Ross, G.O.O.D. Music, T.I. & 2 Chainz, this is the album everyone is still talking about. Kendrick’s stardom has increased the chatter about his TDE labelmates set to make a splash in the next couple of quarters. What’s left to be seen is what a sophomore album from Kendrick sounds like. Following his Hip-Hop Awards cypher, I am extremely excited. What do you think? Read my original review below.
I can’t even front. I’ve been thirsty for this album to drop since I was first introduced to Kendrick Lamar. Section.80 was everything. I tried not to get too hype for his debut album because I didn’t want to be disappointed if it didn’t live up to what I was expecting (cue: Cruel Summer). But guess what, it did.
My quick review: This is one of the best debut albums from ANY recent rap artist. Definitely in the running for instant classic status. Cop it. You won’t be disappointed.
Want more? Check my full, track-by-track, review below.
Kendrick has emerged as a premier storyteller for our generation. Borrowing from the likes of Slick Rick. Nas, and Notorious B.I.G., Kendrick uses his supreme lyricism to weave tales that feel as personal as if our best friend was recounting them to us. He led off the debut of this album with two “singles.” One served as a buzz-single, “The Recipe.” The other, “Swimming Pools (Drank)” was a cautionary tale of the pitfalls of alcoholism and peer pressure. Naturally it’s become a drinking anthem. Both sound better in the grand scheme of the album. I’m a big proponent of complete projects. By that I mean, I love when an artist takes the time to sequence tracks in a way that they tell a story. Mr. Lamar has presented good kid, m.A.A.D. city in this manner.
The album opens with the first mention of Sherane and the voices of a group of young men that sound straight from the set of “The Wood.” The storytelling kicks off immediately with Kendrick recounting his 17 year old self involving Nextels, his first sexual experience, and a hint of gang activity in Compton. Then his mother calls in a hilarious voicemail skit where his father chastises him about dominoes and his mother implores him to bring her car back. The personal notes in this track alone start the album off strong.
One of my favorite tracks of the album, so far, “Bitch Don’t Kill My Vibe” follows the opening track. This track fully displays the different flows that old fans are used to hearing from Kendrick. He weaves in and out of the beat, a perfect west coast circa 1995 beat with familiar modern drums and bounce. “Backseat Freestyle” is next. When this track hit the internet early last week, it was just okay. In the full scheme of the album though, it shines.
Another standout track for its content more than anything, “The Art of Peer Pressure” first details why Kendrick doesn’t partake in smoking weed now. Without completely ruining your listening experience, Kendrick picked up the wrong joint. It’s a great story that most of us can relate to involving mob mentality and peer pressure with the homies. Jay Rock serves as his first feature on the next track, “Money Trees.” Kendrick’s use of the word “bish” is hilarious and just as ridiculous and it sounds when us chicks use it trying to be more polite than using “bitch” towards each other. I love how the voicemails from his parents continue through the album making it a cohesive project.
Drake serves as the next feature for a 40-produced track with Janet Jackson‘s angelic voice in the background of “Poetic Justice.” Drake doesn’t disappoint and the song feels and sounds good. The album continues with “Good Kid” and “M.A.A.D city.” The latter features MC Eiht in the second half of the track with stories of the gang violence frequently associated with Compton. It left me wondering where the hell he found MC Eiht, but it randomly works on this track.
His first official single “Swimming Pools (Drank)” also sounds more complete while sandwiched between album cuts. The album version has a little more pizzaz with some added bars. As the album begins to come to a close, Kendrick presents a 12-minute opus titled “Sing About Me, Dying of Thirst.” I love that he meshed these two tracks into one offering. They flow, share themes, and again display Kendrick‘s storytelling ability. And any song that references Menace II Society, well, has won in my book. I don’t know who Anna Wise of Sonnymoon is, but I love her voice on one of my favorite tracks, “Real.” It feels like Kendrick is talking about where fame has got him while he’s still trying to remain real to who he is and where he comes from.
If you have the regular release, the album ends with “Compton” featuring Dr. Dre. Buuut, no one cops the regular release anymore. So depending on
which leak where you copped the album from (iTunes, physical copy, Amazon), your bonus tracks vary. Each include “The Recipe,” “Black Boy Fly,” and “Now or Never” featuring Mary J. Blige. Spotify also has a remix to “The Recipe” featuring the entire Black Hippy Collective. The iTunes version includes “Collect Calls.” Either way, more Kendrick is always welcome.
Whew! So with all that, my overall view of this album remains. This is a great album, easily shitting on so many debut albums from other freshman artists. I was super hype to hear the album and it lived up to and exceeded my expectations. Kendrick Lamar appeared to stay true to himself while still releasing a commercially appealing project. His voice, figuratively speaking, is still apparent.
My overall review: 4.5/5… damn near classic status
Standout Tracks: Bitch, Don’t Kill My Vibe, The Art of Peer Pressure, Sing About Me, I’m Dying of Thirst
Forgettable Tracks: None, really…
Pusha T has released the visual for the opening track of his solo debut. “King Push” finds Pusha T reveling in his (previous?) lifestyle through carefully constructed wordplay. Check the visual below. I’m DONDA had hands all in this.
Pusha‘s debut album My Name is My Name releases October 8th. You interested? I am!
Justin Timberlake hinted via Instagram that he’d premiere a new single last night. He held true to his word and released “TKO” featuring expected production from Timbaland. Check it below.
Hmmm… It’s not really new or exciting, but it’s good. This is set to appear on The 20/20 Experience: 2 of 2 which drops September 27, 2013. Thoughts?