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Category Archives: NEW MUSIC

MUSIC WORLD: Sampha’s “Too Much” Sans Drake

I’m still working on my review of Em‘s latest album. So to distract you from my tardiness, I’m giving you a treat. Everyone likes treats. Sampha (singer featured on Drake’s song “Too Much,” among others) has released an acoustic and Drake-less video of “Too Much.” Enjoy it below.

The earthiness of his vocals makes me feel like I’m drinking hot cocoa cuddled up with one of my boos waxing poetic about the affordable care act and pondering a gluten-free diet.

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MUSIC WORLD: TDE Playlist + ScHoolboy Q Video

Another Music Monday playlist for your headphones. This week, I’ve decided to share my TDE playlist. TDE is =/= to Black Hippy. Black Hippy consists of Kendrick Lamar, ScHoolboy Q, Ab-Soul, and Jay Rock. But TDE has recently expanded it’s roster signing rapper Isaiah Rashad and singer SZA – neither of which have a profile on Spotify. So this playlist will unfortunately include none of their music. But enjoy nonetheless. 9 hours of TDE, features and solo tracks, still sounds like a good Monday to me.

Also, as ScHoolboy Q preps for his third album Oxymoron, he’s released a visual to “Banger (MOSHPIT).” Still don’t know when the album is dropping, but he’s turned it in to the label. Check the video below.

MUSIC WORLD: *UPDATED* One Year Later… My Extended Review of Kendrick Lamar’s “good kid, m.A.A.d. city”

*One Year Later*

What a difference a year makes? With popular culture’s attention span being shorter than Kevin Hart, it’s amazing that this album still has legs. People are still listening, still talking about it, and still fawning over Kendrick – really now more than ever. Since this release, Kendrick Lamar has provided amazing guest verses (Fucking Problems, How Many Drinks Remix, 1 Train, etc.) and crowned himself the King of New York. A young nigga from the west coast decided he was King! How audacious of him.  In a year that saw albums from heavyweights like Nicki Minaj, Nas, Rick Ross, G.O.O.D. Music, T.I. & 2 Chainz, this is the album everyone is still talking about. Kendrick’s stardom has increased the chatter about his TDE labelmates set to make a splash in the next couple of quarters. What’s left to be seen is what a sophomore album from Kendrick sounds like. Following his Hip-Hop Awards cypher, I am extremely excited.  What do you think? Read my original review below.

I can’t even front. I’ve been thirsty for this album to drop since I was first introduced to Kendrick Lamar. Section.80 was everything. I tried not to get too hype for his debut album because I didn’t want to be disappointed if it didn’t live up to what I was expecting (cue: Cruel Summer). But guess what, it did.

My quick review: This is one of the best debut albums from ANY recent rap artist. Definitely in the running for instant classic status. Cop it. You won’t be disappointed.

Want more? Check my full, track-by-track, review below.

Kendrick has emerged as a premier storyteller for our generation. Borrowing from the likes of Slick Rick. Nas, and Notorious B.I.G., Kendrick uses his supreme lyricism to weave tales that feel as personal as if our best friend was recounting them to us. He led off the debut of this album with two “singles.” One served as a buzz-single, “The Recipe.” The other, “Swimming Pools (Drank)” was a cautionary tale of the pitfalls of alcoholism and peer pressure. Naturally it’s become a drinking anthem. Both sound better in the grand scheme of the album. I’m a big proponent of complete projects. By that I mean, I love when an artist takes the time to sequence tracks in a way that they tell a story. Mr. Lamar has presented good kid, m.A.A.D. city in this manner.

The album opens with the first mention of Sherane and the voices of a group of young men that sound straight from the set of “The Wood.” The storytelling kicks off immediately with Kendrick recounting his 17 year old self involving Nextels, his first sexual experience, and a hint of gang activity in Compton. Then his mother calls in a hilarious voicemail skit where his father chastises him about dominoes and his mother implores him to bring her car back. The personal notes in this track alone start the album off strong.

One of my favorite tracks of the album, so far, “Bitch Don’t Kill My Vibe” follows the opening track. This track fully displays the different flows that old fans are used to hearing from Kendrick. He weaves in and out of the beat, a perfect west coast circa 1995 beat with familiar modern drums and bounce. “Backseat Freestyle” is next. When this track hit the internet early last week, it was just okay. In the full scheme of the album though, it shines.

Another standout track for its content more than anything, “The Art of Peer Pressure” first details why Kendrick doesn’t partake in smoking weed now. Without completely ruining your listening experience, Kendrick picked up the wrong joint. It’s a great story that most of us can relate to involving mob mentality and peer pressure with the homies. Jay Rock serves as his first feature on the next track, “Money Trees.” Kendrick’s use of the word “bish” is hilarious and just as ridiculous and it sounds when us chicks use it trying to be more polite than using “bitch” towards each other. I love how the voicemails from his parents continue through the album making it a cohesive project.

Drake serves as the next feature for a 40-produced track with Janet Jackson‘s angelic voice in the background of “Poetic Justice.” Drake doesn’t disappoint and the song feels and sounds good. The album continues with “Good Kid” and “M.A.A.D city.” The latter features MC Eiht in the second half of the track with stories of the gang violence frequently associated with Compton.  It left me wondering where the hell he found MC Eiht, but it randomly works on this track.

His first official single “Swimming Pools (Drank)” also sounds more complete while sandwiched between album cuts. The album version has a little more pizzaz with some added bars. As the album begins to come to a close, Kendrick presents a 12-minute opus titled “Sing About Me, Dying of Thirst.” I love that he meshed these two tracks into one offering. They flow, share themes, and again display Kendrick‘s storytelling ability. And any song that references Menace II Society, well, has won in my book. I don’t know who Anna Wise of Sonnymoon is, but I love her voice on one of my favorite tracks, “Real.” It feels like Kendrick is talking about where fame has got him while he’s still trying to remain real to who he is and where he comes from.

If you have the regular release, the album ends with “Compton” featuring Dr. Dre. Buuut, no one cops the regular release anymore. So depending on which leak  where you copped the album from (iTunes, physical copy, Amazon), your bonus tracks vary. Each include “The Recipe,” “Black Boy Fly,” and “Now or Never” featuring Mary J. Blige.  Spotify also has a remix to “The Recipe” featuring the entire Black Hippy Collective. The iTunes version includes “Collect Calls.” Either way, more Kendrick is always welcome.

Whew! So with all that, my overall view of this album remains. This is a great album, easily shitting on so many debut albums from other freshman artists. I was super hype to hear the album and it lived up to and exceeded my expectations. Kendrick Lamar appeared to stay true to himself while still releasing a commercially appealing project. His voice, figuratively speaking, is still apparent.

My overall review: 4.5/5… damn near classic status

Standout Tracks: Bitch, Don’t Kill My Vibe,  The Art of Peer Pressure, Sing About Me, I’m Dying of Thirst

Forgettable Tracks: None, really…

You can purchase the album on iTunes HERE and listen on Spotify HERE. 

 

VIDEO OF THE WEEK: Pusha T “King Push”

Pusha T has released the visual for the opening track of his solo debut. “King Push” finds Pusha T reveling in his (previous?) lifestyle through carefully constructed wordplay. Check the visual below. I’m DONDA had hands all in this.

Pusha‘s debut album My Name is My Name releases October 8th. You interested? I am!

MUSIC WORLD: Justin Timberlake “TKO”

Justin Timberlake hinted via Instagram that he’d premiere a new single last night. He held true to his word and released “TKO” featuring expected production from Timbaland. Check it below.

Hmmm… It’s not really new or exciting, but it’s good. This is set to appear on The 20/20 Experience: 2 of 2 which drops September 27, 2013. Thoughts?

PERFECT WORLD RADIO: Episode 4

Episode 4 of Perfect World Radio is here. Check it below.

New Songs
“Fake Sing” – T.Gaines
“The Language” – Drake
“Netflix” – 2 Chainz x Fergie
“Scholarship” – Juicy J x A$AP Rocky
“Nosetalgia” – Pusha T x Kendrick Lamar

Throwback Track
“This Little Game” – Subway x 702

Remember to tune in live Wednesdays at 8PM on Spreaker.com or through the Spreaker app.

MUSIC WORLD: Jhene Aiko x Childish Gambino “Bed Peace”

After debuting the first verse during a live studio session for Rap-Up, Jhene Aiko is back with the fully mixed and mastered version of “Bed Peace” featuring Childish Gambino. Listen below.

I really like this song. The honesty of it. The California-ness of it. I liked it without Childish Gambino though. Jhene Aiko‘s debut album, Souled Out, is supposed to be dropping later this year.